Christine Nagel at her finest, no surprise she’s been chosen to inherit Ellena’s throne. A charming whiff of sophisticated, mellow, androgynous, hyper-modern, clean yet somehow “mysterious” and moody spiced Oriental orange-infused woods. This is Oud & Bergamot by Jo Malone, a refined, minimalist, very well conceived experiment around the contrast between the aromatic, luscious smokiness of oud and cedar (and suede, I think), and the graceful, pastel, zesty and slightly floral touches of bergamot and citrus, with a hint of cinnamon-like touch of sweet – just as in Fendi Theorema for women, also composed by Nagel. All done with an amazingly well-engineered weightless texture taken to the very extreme – basically, pure thin scented air. It feels like a perfect olfactive rendition of some abstract watercolour featuring harmonic drops and brush strokes of pale orange, pale brown, pale black. All smells even, smooth, airy and pale, yet totally “there” under your nose. It’s like smelling a linen shirt previously sprayed with a hypothetical “true” substantial version of Oud & Bergamot – this is how the actual Oud & Bergamot smells. It’s there, and yet it isn’t. Like the suspended memory of a scent, more than an actual scent, and yet it’s there materializing under your nose. Fascinating to say the least. And it’s all done so terribly right, as all notes manage to smell crisp, smooth and clear, yet subtle.
The scent is very simple actually, basically a fairly linear and “white-ish” sort of musky-suede rendition of (synthetic) oud and cedar tinted with some orange and cinnamon. It’s the way Nagel made it that makes it so special. It takes some guts and skills to take these notes and turn them into an impalpable whiff of watercolour mist (I mean, it takes some guts to do it right and not end up with an ephemeral fart of a constipated princess). More than compelling and more than a scent, a little piece of minimalist art. Obviously not a “bomb”, very subtle but quite persistent, more than one may assume: somehow you smell it around yourself for hours and hours even if it seems disappearing from your skin soon. This close to smelling just dull and weak – and maybe it is, and I’m just overestimating it – but I find it just lovely.
8-8,5/10
The scent is very simple actually, basically a fairly linear and “white-ish” sort of musky-suede rendition of (synthetic) oud and cedar tinted with some orange and cinnamon. It’s the way Nagel made it that makes it so special. It takes some guts and skills to take these notes and turn them into an impalpable whiff of watercolour mist (I mean, it takes some guts to do it right and not end up with an ephemeral fart of a constipated princess). More than compelling and more than a scent, a little piece of minimalist art. Obviously not a “bomb”, very subtle but quite persistent, more than one may assume: somehow you smell it around yourself for hours and hours even if it seems disappearing from your skin soon. This close to smelling just dull and weak – and maybe it is, and I’m just overestimating it – but I find it just lovely.
8-8,5/10
